Wednesday 18 March 2009

THE BIRTH OF THE WESTERN MOVIE


In 1894 the fledgling Edison Company produced a short film in which Buffalo Bill gave an exhibition of his shooting and in 1902 they made another three one reel films centering on the showman and his wild west show.

In 1903 Edwin S. Porter demonstrated the storytelling capabilities of film with his The Great Train Robbery. The film shocked audiences. Twelve minutes long, it is considered a milestone in film history and invented a number of techniques that would become part of the language of film. Actor Max Aronson later changed his name to W.M Anderson and became the world's first continuing western movie character as Bronco Billy.

In 1904 the Edison Company filmed the one reeler, Brush between Cowboys and Indians on location in Oklahoma. And the western had truly arrived. Edwin Porter, now a superstar director after the success of The Great Train Robbery, directed Daniel Boone for the Edison company.

During this period New York and New Jersey were the centres of film making in the United States but it was Oklahoma where the western was taking its formative steps. In particular the 101 Ranch, owned by G. W. Miller, which encompassed 110,000 acres, with its own trains, telephone service, daily mail delivery, churches, schools became a prime location for the early western filmmakers. In 1905 the ranch staged a buffalo chase which attracted 65,000 visitors - perhaps most of these had come to see the show's star Geronimo. It was during this show that the famous photograph of the Apache leader was taken - seated at the wheel of an automobile and wearing a top hat. In 1908 the Miller took his own 101 Wild West show on tour and then after returning from the tour the businessman, together with his two sons, entered the world of motion pictures. The Wolf Hunt and Round up in Oklahoma was filmed on their extensive grounds.

Buffalo Bill was exploring this new medium when in 1910 he starred in The Life of Buffalo Bill for the Pawnee Bill Pictures company. This was one of the earliest examples of a three reeler - a film lasting for almost thirty minutes.

Another True West figure who took to film was Emmett Dalton who after being pardoned for his part in the 1892 Coffeyville, Kansas hold up of two banks produced and starred in 1912's three reeler, The Last Stand of the Dalton Boys. The fact the the one time outlaw presented himself as a good man forced into crime by circumstances so incensed New Jersey film maker, Bill Tilghman that in 1915 he made his own account of The Dalton Boys in the six reeler The Passing of the Oklahoma Outlaws.

The film industry was, at the time bursting with innovation and in 1910 David W. Griffith selected California as a location for shooting westerns for Biograph. Some remarkable oaters were filmed in the state during these years including the iconic Custer's Last Flight which starred Francis Ford, brother of John Ford who would later become perhaps the world's most famous western director, as the doomed General.

In 1916 motion pictures were becoming so successful than an aging Wyatt Earp and whilst exploring the possibility of making a film of his own experiences, he took part in a crowd scene for Triangle Film's The Half Breed which starred Douglas Fairbanks. When the lawman died in 1929 two of the pallbearers at his funeral were westerns stars William S. Hart and Tom Mix.

It was the 1920's that saw the first truly epic westerns - The Covered Wagon (1923), The Iron Horse (1924), Sundown (1924) and by this time the western was firmly established in film history. Over the coming decades the genre would become known throughout the world but it was during the formative years that the distinction between fact and fiction was most blurred when real life western characters cropped up on the screen.

It's worth seeking out some of these silent westerns to see how the genre developed the themes and styles that remain to the present day. The Great Train Robbery. perhaps the most important of the early westerns, can be downloaded legally from archive.org and this nine minute epic is embedded in it's entirety below. Click the movie for full screen and enjoy this landmark in western cinema.
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10 comments:

Charles Gramlich said...

Interesting. I vaguely had heard some of this stuff but had not put it together in any kind of historical timeline. Cool beans.

Gary Dobbs/Jack Martin said...

Most people have seen images from The Great Train Robbery - expecially the iconic image of the outlaw firing towards the camera - but few have seen the film.

Fred Blosser said...

You know, in a sense, THE GREAT TRAIN ROBBERY was a contemporary docu-drama. Although the Train Robbers' Syndicate aka the Wild Bunch had pretty much dispersed by 1903, their Willcox and Tipton train holdups were still recent history. And members of the gang would continue to operate sporadically. Harvey Logan's last train robbery was 1904, Ben Kilpatrick's in 1910.

David Cranmer said...

Being a silent film buff I've seen it many times. The final shot is definitely among the most famous and opens TOMBSTONE.

David Cranmer said...

I just got to thinking I posted this film on my blog awhile back and somewhere I found this info on the film:

Porter based the movie on a 1896 story by Scott Marble and was inspired by Butch Cassidy's Wild Bunch who, in 1900 Wyoming, separated a mail car from the rest of the train and blew up the safe holding $5,000 cash.

In the final scene, a man aims a gun into the camera and shoots, which caused audiences of the time to leap in fear. This scene has been used for effect in other movies like Tombstone and paid homage to in Goodfellas.


http://davidcranmer.blogspot.com/2008/08/great-train-robbery-1903.html

Jeff Smith said...

A great western in any era!

Gary Dobbs/Jack Martin said...

David -I love that scene in butch and sundance where the guard refuses top open the door and so the outlaws dynamite him out - was it Woodcock or something like that?

Fred - that's a very good point.

Jeff - thanks for correcting the year in the post. 1854 indeed.

G. B. Miller said...

Nice film.

It's interesting to see all those now well worn plot devices and filming techniques presented fresh for the first time.

I can easily understand how filmgoers from that era would be shocked at the level of violence (the gunfights and the fight on the train with the fireman being thrown off) shown in the movie.

An enjoyable cap to a dull day.

Thanks.

AnthonyB said...

Interesting to see searly SAs. Wonder what their rates were. Enjoyed the movie.

Gary Dobbs/Jack Martin said...

Anthony - think they were on powdered eggs for lunch and 2/6d an hour.

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