Showing posts with label vintage comics. Show all posts
Showing posts with label vintage comics. Show all posts

Sunday, 26 September 2021

Remember brush, floss and read your comic books

 


What does toothpaste have to do with comics? A link seems hard to imagine, but back in the mid 1960s, comics were eagerly devoured by the kids of the day. So what better medium than a comic to ram home the oral hygiene message, and sell more of your brand's product along the way?

The proprietors of Gibbs toothpaste, through their advertising agency, Lintas, knew their business when it came to advertising and promotion, so you can be sure that their reasoning to run a children's comic was sound. In September 1955, when the UK's first commercial television channel went to air, ending the 18-year monopoly of the BBC, the first advertisement shown was for Gibbs SR Toothpaste.

No expense was spared on Gibbs Ivory Castle Arrow. The comic was produced by the photogravure process used by the million-seller women's magazines of the time. Top comic artists were commissioned. John Ryan, of Captain Pugwash fame, Phil Mendoza. Gordon Hogg, and John Burns were among them.

The editor of the comic was called "The Keeper of the Keys" and his editorial would appear on page 2, alongside readers' letters and jokes, and lists of competition prizewinners that ran to more than a hundred, split into age groups: Over Tens, Seven- to Ten-Year Olds, and Under Sevens. See the clip of "Super Prizes!"

The Keeper of the Keys told his readers: "It seems that you all like the new Arrow because we are printing more and more copies all the time
and we send it to dentists now so that you can read it when you go to visit them. If your dentist doesn't have Arrow, let us know his name and address and we can send him some copies."

The real editor of Ivory Castle Arrow was Odhams Press managing editor George Beal, who also had a hand in producing stories and scripts. Most of the comics had "toothy" themes, but the cover story, Steve and Susan, and some other features were free of messages, unless they were too subliminal for even their creators to recognize!

Below we have the cover feature from Number 11 of the comic, published in 1966. The art is by the great John Burns, whose career we have outlined on a previous Sunday, and the script is by Keith Chapman (who needs no introduction as Archive friend and western novelist Chap O'Keefe).    

Keith tells us, "For this oddity among comics, I also wrote the text for illustrated, factual articles and short text stories along Enid Blyton lines. One of the stories was The Face at the Window, featured in the same edition as this Steve and Susan strip. Another I remember had the title The Secret of Abbey Towers, which seems very unoriginal today. All you need is the title, memories of a few Famous Five yarns, and the job's good as done!"

What's that? You still think teeth and dentists are no laughing matters? Well, we'll throw in for you an Ivory Castle funny by Gordon Hogg, drawn  in the Beano/Wham style. Think on it as the drill bites in to make way for your new filling!

Below are the comic strips for your delight - remember double clicking on each image will bring up a larger more readable version. Enjoy but remember, brush those pearly whites.




































































Wednesday, 23 April 2014

Vintage Comics - The Savage Sword of Conan

Published in May 1980 this is issue 31 of Marvel UK's monthly title, The Savage Sword of Conan. This particular issue features the first part of the story, A Witch Shall be Born as well as a short standalone story,  Dragonseed.

I picked up this issue today in the excellent Troutmark Books, which resides in a magical corner of Cardiff's Castle Arcade. I also found the subsequent issue, No 32, which completes the storyline from this issue. They cost me £1.25 each which is a steal. Okay they may have cost just over three times their original cover price but then it ain't 1980 anymore.

The Savage Sword of Conan was aimed at the more mature comic reader, hence the price - at a time when most British comics were around 12p,  then 40p was a hefty price indeed.  It only contained two stories, and the supporting story was told over a mere nine pages it meant that the main storyline, the Conan story, boasted just shy of forty pages, which meant that the story could remain incredibly faithful to the Robert E. Howard story while not skimping on the eye popping action.

The artwork on the main story is by John Buscema and it's amazingly detailed, though in black and white given that this is a UK reprint of American material. Still the monochrome images suit the style and somehow  make the blood seem all the more red. The storyline is by the legendary Roy Thomas and these two issues are the only ones I've got of this title, but I'll certainly be looking out for more.

One thing I always look for in old comics is the letters page - a lively letters page can be fascinating and this magazine boasts a double page spread of lively letters.

Click on any of the images here to see a larger version.

























































Chaos