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Wednesday, 29 March 2017

Crime Scene is DOA

I am devastated to learn that the current issue (no7) of Crime Scene Magazine is to be the final issue - check out my rave review of the first issue HERE.

I had a feeling that all was not well, when I picked up the latest issue as it comes in at only a hundred pages, and the features don't seem to be as in-depth as in the previous issues. The book reviews have also dwindled away to a few pages.

There is not another magazine like it on the UK stands, and I will miss the publication, and I wish the publishing team all the best in their future endeavours.

When a magazine of this quality fails to find a market, you have to wonder if the physical magazine market is dead in the water. For someone who regularly visits brick and mortar stores it is glaringly apparent that the news-stands are not as exciting as they once were.

Let's hope some other publisher steps in and takes over the title, as recently happened with Classic Rock Magazine.

Head over to Crime Fiction Lover for the full story.


Genre fans will be aware of HARD CASE CRIME, the imprint founded by Charles Ardai and Max Phillips which has been bringing pulp style thrillers to the market since 2004. They started out by issuing paperbacks packaged in the style of the mass market titles so popular in the years forever known as The Golden Age of Crime.

Initially the paperbacks were published in association with Dorchester, and these books with their gorgeously lurid cover art sold like the proverbial hot cakes.

When Dorchester Publishing went out of business, it looked like Hard Case would become a part of the history they sought to emulate, but Titan Books came to the rescue and since 2011 the company have published the Hard Case Crime titles.

Now Hard Case and Titan are to publish an ongoing graphic novel series based on the Stieg Larsson Millenium trilogy.

The first issue lands at an impressive 64 pages, selling for $5.99 in the US, and starting at £3.99 for the digital version in the UK. In November, you’ll be able to get hold of volume one as a graphic novel format at £10.99.
Stieg Larsson’s story was adapted for the comic format by Belgian writer Sylvain Runberg, with artwork by José Homs and Man, and published in France by Dupuis in 2013. With its strong, expressive, style, the comic puts the emphasis on attitude and action like never before. This version has been translated into English by Rachel Zerner, and retells the tale of discredited journalist Mikael Blomkvist and his quest to help the wealthy industrialist Henrik Vanger find his missing niece. Blomkvist is helped, of course, by Lisbeth Salander, the girl with the dragon tattoo, whose mission is to avenge violence against women.

Wednesday, 4 January 2017

Magazine Watch: The Star Trek Graphic Novel Collection

Star Trek fans will be interested in the new part work from Eaglemoss Publications - each issue is a hardcover graphic novel reprinting stories from 50 years of Star Trek comics. The first issue - Countdown,  features the prequel story to  J. J. Abrams' 2009 Star Trek reboot as well as the first ever Star Trek comic strip with 1967's Planet of No Return which was originally published by the iconic, Gold Key Comics.

Each hardcover is well put together - they really are handsome editions - you can pick up a bargain with the first issue, currently available, at the low price of £1.99 - the regular price will be £9.99 which is pretty good value given the quality of these hardback editions.

When the series is complete it will have collected strips from Gold Key Comics, DC, TV21, Malibu Comics, Paramount Comics, Wildstorm Comics, Tokyopop and IDW and will have featured sequels to original stories, movie adaptations, and  lost tales (scripts that were never filmed). Many superstars of comic writing will have credits as well as familair names from the writing staff of all iterations of the TV series.

More info HERE

Thursday, 22 December 2016

Hooked on Trapped

I've just binge watched another slice of Nordic Noir - ten episodes consumed over five days makes for an intense experience. This time out it is Trapped, an Icelandic drama, that has all the dark chilly beauty of shows like The Killing, but adds a claustrophobic kick ass blow

Andri (Óladfur Darri Ólaffson), a hulking bear of  a man,  is the police chief of Seyðisfjörður - a bleak little place at the end of a fjord in the east of Iceland. In winter, it’s dark, it's freezing and the aftershocks of the 2008 financial crisis are still being felt. If that wasn't enough darkness Andri also has to contend with his marriage falling apart before his eyes - his wife returns to town with her new boyfriend and just when it couldn't possibly get any more miserable for Andri the killings start and are then followed by a storm which cuts Seyðisfjörður off from the rest of the world.

Directed by Baltasar Kormákur, who shot the Hollywood thriller Everest, the camera lingers on thick grey seas, horizontal snow and huddled houses, which creates a real feel for the remoteness of the setting. The plot is clever and expertly served up across the ten episodes so that when the final twists are served the viewer is left exhilarated. A action packed final ten minutes are the perfect ending to what is another compelling piece of crime drama from the Nordic genre-masters.

Fine more info on Nordic Noir HERE

I'm hooked on Scandi dramas and over recent months have binge watched The Killing, The Bridge, Borgen and now my latest obsession, Trapped. It is clear that the Danes and Swedes have much to teach about TV craft. The Killing took 20 episodes to solve one murder – a series length, and slow rate of progress, that would have been unthinkable for a UK production. Both Borgen and The Bridge are visually stunning, with as much attention paid to the production design as to the plot, and the actors who fill the roles in these series are believable and seem real - we don't so much  see the actors, but the characters they create for us. And even when the plot is barking mad, as is the case with The Bridge, there is a level of realism that gives the shows an air of authenticity.

That's not to say we Brits can't do grit when we want to - Happy Valley, Broadchurch and The Fall are three homegrown shows that are as good as the Nordic dramas, but would any of these have followed the blueprint for grimy realism had not The Killing been such a hit worldwide? I think not for The Killing showed that a serialised narrative, when done right, could keep viewers gripped for an entire run. It allows for the characters to be slowly shaped across a large canvas and quite simply is responsible for some absolutely brilliant TV drama.

'The countries that the Nordic writers call home are prosperous and organized, a “soft society”  But the protection offered by a cradle-to-grave welfare system hides a dark underside.' Nowegian crime writer, Jo Nesbo.

 There is an interesting article HERE that looks at the obsession with Nordic Noir

Wednesday, 21 December 2016

Magazine Watch: Classic Rock Magazine Folds

The digital world has many benefits but there is also a downside and for years now the publishing industry have struggled to find their place in this new world  -  The news-stand magazine business is a case in point. It has not been healthy in recent years but all the same the news that Team Rock, publishers of such well known titles as Classic Rock and Metal Hammer have gone to the wall, came as a shock. Publications from this company were common in UK shops and have an army of loyal fans - it seems that in today's market having a loyal readership doesn't count for much -  Reports are that 73 jobs have been lost within the once powerful publishing company.

It had been reported in 2015 that the company was £11.7 million in debt, a figure which is sure to have increased by now.


Thomas Campbell MacLennan, Alexander Iain Fraser and Jason Daniel Baker of FRP Advisory LLP were appointed as Joint Administrators of Team Rock Limited (“the Company”) on 19 December 2016. The affairs, business and property of the Company are being managed by the Joint Administrators, who act as agents of the Company and without personal liability. The Company is being managed on a care and maintenance basis only whilst a buyer for the assets is sought. Accordingly, the TeamRock website will be unavailable for the foreseeable future. The administrators are assessing the position regarding publication of magazines. If you are a subscriber to the Company’s publications the administrators can be contacted via email at

Orange Goblin frontman Ben Ward has launched a Crowdfunding campaign to help those who have lost their jobs.

“Today, 73 members of the Team Rock staff were told that the company is going into liquidation and that they are being made redundant with immediate effect with ZERO pay,” he said in a statement. “These are good, hard-working, committed people that through Metal Hammer, Classic Rock, Prog Rock, TeamRock Radio and more, have supported the rock and heavy metal scene in this country for decades and now we, the rock community, need to pull together to help give something back.”


Wednesday, 14 December 2016

More than a century of murder.


Looking Good Dead - Peter James book review.

Looking Good Dead is the second in Peter James' Roy Grace series and after enjoying the first book, Dead Simple I jumped straight into this novel. The plot this time around is high concept - snuff movies. It all kicks off when Tom Bryce finds someone had left a CD on the train and when he later puts it into his own computer he finds himself watching a brutal murder. Shortly afterwards some virus hidden amongst the coding of the snuff movie wipes Tom's hard drive clean but not before warning him against going to the police. However Tom is persuaded by his wife to report the movie and when he does all hell breaks loose - this culminates in Tom and his wife being kidnapped in order to be the lead actors in a forthcoming snuff movie.

The author uses the same TICKING CLOCK device to create tension in this novel as he used so memorably in the previous book in the series. In the earlier novel a character was buried alive in a coffin and the suspense was driven by the fact that he had to be found before he died. And this time around the author  has two characters kidnapped - the clock is ticking for these characters with the reader aware that they are soon to be killed as part of a snuff movie. Will the police find them in time? It's all very effective and marks this book out as a crime thriller rather than a traditional whodunnit. The reader know what is happening all along, but the police of course are clueless and simply blunder around while the story plays itself out.

I enjoyed the previous book, see my review HERE and this second book in the series improves on that book with the central character of Detective Roy Grace now fully formed and becoming something of a tragic man - there's a sadness, a desperation about him.

 I'm certainly going to read more books in this series - Dead good, that was.