There
is much buzz about the forthcoming Superman reboot, The Man of Steel
which will be directed by Zack Snyder and hit screens in 2013. It’s
still some way off but Superman has always had the ability to get the
geeks, nerds and fanboys, of which the Tainted Archive is one, in a spin.
And so in this post, a single blog entry, we will turn you into an
Instant Superman expert.
These days he may not have the cool of Batman, but Superman was the
first superhero and in many ways he is still the best. He’s been around
since 1938 and since day one has been the most recognisable superhero of
them all. Created by science fiction buffs, Jerry Siegal and Joe
Schuster, Superman’s entry into print was arduous. When Action Comics 1
was published in June 1938, the character of Superman had been
developing in the minds of his creators for more than five years, and
had been turned down by publishers umpteen times. The Man of Tomorrow,
it seemed, was too far ahead of his time for the conservative publishers
of the period. It’s hard to imagine now, in this age of superheroes,
just how unique a concept Superman was, but put yourself in the mindset
of a population where westerns and crime stories were the height of
fashion, then this story of an alien who gains super powers on Earth and
travels around in a skin-tight costume ,righting wrongs and upholding
the American way, seems radical indeed.
The character had originally been conceived to fill in the funnies
section of newspapers, and when the story was bought by DC several
newspaper strips had to be joined together to make a complete story – it
worked and Superman was an immediate success. The man of steel’s alter ego was firmly based on the then popular comedy actor, Harold Lloyd
The Superman of these early years was different to the character as
we know him today – the biggest difference is that he couldn’t fly but
was able to leap over incredible heights and distances.
During the 1940′s the character was developed and many of the key
elements of the Supesiverse were brought to the fore – Louis Lane as the
love interest for instance was an immediate success and the character
of today is recognisable in these early strips. The character of Lex
Luthor was accidentally drawn without hair for a newspaper strip version
of Superman and an icon was born.
When
the war broke out during this decade Superman’s villains, up to that
point run of the mill masked bandits, suddenly took on relevance as
Superman was called into service with many patriotic war based stories.
Supes was taking his brand of truth, justice and the American way to the
Nazis who were decimating Europe.
The 1950′s saw the public becoming bored with costumed heroes as
horror comics became increasingly popular, but Superman along with
several other big name characters survived and indeed prospered
throughout the decade. The character’s powers increased throughout the
stories of the 1950′s. And he ended the decade as a kind of demigod –
everything about him became super and the character could now boast:
- Unlimited super strength, speed, stamina, endurance and durability.
- Extreme longevity
- Enhanced mental processes, defences, and genius level intellect.
- Unlimited physical senses (sight, smell, touch, taste, hearing).
- Ability to perceive the entire electro-magnetic spectrum and various other forms of energy.
- Flight
- Flight across the universe to distant galaxies and solar
systems,flying through space warps near earth and emerging many light
years away.
- X-ray vision
- Heat Vision
- Precise muscle control and vocal control.
- Freezing/hurricane breath.
- Super-Ventriloquism
- Super-Hypnosis
The decade saw a new writing team which introduced elements that
would quickly become part of the brand – The Fortress of Solitude was
invented by writer, Otto Binder who had been poached from rival title,
Captain Marvel and Superman’s pal, Jimmy Olsen also made his first
appearance during the decade.
The 1960′s may have been the silver age for comics but it was the
golden age for Superman, and when Otto Binder left the title in 1960 he
left behind much of the groundwork that writers of the title would find
useful in the years to come.
By this period the character had now become well known in mediums
other than comic books – he had conquered radio, TV and the early
morning cinema screens. Kirk Alyn had become the first actor to portray
Superman on the screen in 1948′s Superman which was a serial filmed for
the Saturday morning cinema shows. But it wasn’t until the 1951 TV
series that an actor really became synonymous with the character. With George Reeves in the title role the series ran for 104 episodes, from 1952–1958.
The 1970′s would not only see Superman: The Motion Picture, which
even today stands as one of the best superhero movies ever made, but
also reveal that Superman was beaten up by Muhammad Ali in one of the
most surreal comic books ever. There were a troubled few years mid
decade when a new creative team tinkered with the character and
delivered an almost unrecognisable supesiverse – Clark Kent now worked
for a TV news station and was an anchorman and many of his powers were
removed to make him more vulnerable. However falling sales soon meant
that the older elements were brought back – Though Superman’s powers
were never quite as great as they had been previously.
It
was during the 1980′s that Superman was really reborn in the comics –
The Crisis on infinite Earth storyline saw much of the DC universe
rebooted. After this Superman found himself in the capable hands of
writer, John Byrne who steered the character through come classic
adventures. One even had Superman kill when he executed three criminals
from Krypton – things would never be the same again.
The
1990′s dawned and by now comics had changed so greatly from the 1940′s
titles that they were almost a different species, and no matter how many
reinventions Superman had he was still firmly grounded in the 1950′s.
The answer was to kill him – 1992′s Death of Superman arc was a
sensation and sales hit an unheard of six million copies of a single
issue (Superman 75). The character did return as a long-haired bruiser
in The Return of Superman but DC milked the death and there were many
follow ups though none were quite as successful as the death and return
arc.
And now we enter the new millennium with Superman now bigger than
ever – the Smallville TV series has won Emmies, there have been several
big screen movies with three different actors playing the character,
though thus far Christopher Reeves remains the definitive screen
Superman. And in 2013 we will see yet another big screen version of
Superman when Superman: The Man of Steel hits screens around the world.
However, like the proverbial bad penny, The Archive will turn up very soon. And so in the spirit of randomness of which the Archive is known we leave you with a funny dog piccie.
These days he may not have the cool of Batman, but Superman was the
first superhero and in many ways he is still the best. He’s been around
since 1938 and since day one has been the most recognisable superhero of
them all. Created by science fiction buffs, Jerry Siegal and Joe
Schuster, Superman’s entry into print was arduous. When Action Comics 1
was published in June 1938, the character of Superman had been
developing in the minds of his creators for more than five years, and
had been turned down by publishers umpteen times. The Man of Tomorrow,
it seemed, was too far ahead of his time for the conservative publishers
of the period. It’s hard to imagine now, in this age of superheroes,
just how unique a concept Superman was, but put yourself in the mindset
of a population where westerns and crime stories were the height of
fashion, then this story of an alien who gains super powers on Earth and
travels around in a skin-tight costume ,righting wrongs and upholding
the American way, seems radical indeed.
The character had originally been conceived to fill in the funnies
section of newspapers, and when the story was bought by DC several
newspaper strips had to be joined together to make a complete story – it
worked and Superman was an immediate success. The man of steel’s alter ego was firmly based on the then popular comedy actor, Harold Lloyd
When
the war broke out during this decade Superman’s villains, up to that
point run of the mill masked bandits, suddenly took on relevance as
Superman was called into service with many patriotic war based stories.
Supes was taking his brand of truth, justice and the American way to the
Nazis who were decimating Europe.
By this period the character had now become well known in mediums
other than comic books – he had conquered radio, TV and the early
morning cinema screens. Kirk Alyn had become the first actor to portray
Superman on the screen in 1948′s Superman which was a serial filmed for
the Saturday morning cinema shows. But it wasn’t until the 1951 TV
series that an actor really became synonymous with the character. With George Reeves in the title role the series ran for 104 episodes, from 1952–1958.
It
was during the 1980′s that Superman was really reborn in the comics –
The Crisis on infinite Earth storyline saw much of the DC universe
rebooted. After this Superman found himself in the capable hands of
writer, John Byrne who steered the character through come classic
adventures. One even had Superman kill when he executed three criminals
from Krypton – things would never be the same again.
The
1990′s dawned and by now comics had changed so greatly from the 1940′s
titles that they were almost a different species, and no matter how many
reinventions Superman had he was still firmly grounded in the 1950′s.
The answer was to kill him – 1992′s Death of Superman arc was a
sensation and sales hit an unheard of six million copies of a single
issue (Superman 75). The character did return as a long-haired bruiser
in The Return of Superman but DC milked the death and there were many
follow ups though none were quite as successful as the death and return
arc.
