WARNING REVIEW CONTAINS SPIOLERS
The new Bond movie, Spectre is a great success even if on times it does feel like James Bond's Greatest Hits with scenes paying homage,( or ripping off depending on your mood), to earlier Bond classics. We have an helicopter sequence similar to the opening of For Your Eyes Only, a brutal fight on a train that in fairness betters the similar scene in From Russia with Love, the evil lair from so many Bonds has also been rebuilt and at one point it even goes all Star Wars with Blofeld revealing - I am your father, Luke....er, I mean - I am your brother, James.
Daniel Craig has now delivered two great Bond films in a row and even if he still doesn't look like many fan's idea of classic Bond, you can't really fault him here - He's quite excellent in fact. If this does prove to be Craig's last Bond then it will be a fitting departure since plot elements in this one tie up all the loose ends from his previous three movies.
It will be a shame if the actors bows out because at last Craig is Bond - he even orders his vodka martinis, shaken and not stirred rather than not giving a damn as in Casino Royale.
The Blofeld thing though is stupid - the movie manages to avoid going all Dr Evil with the bad guy's lair but then ruins it by making old Blofeld a jealous sibling. He's, (we are expected to swallow this mind) Bond's step-brother, and then the films suggests that his life of world domineering evil and cat stroking, is due to the fact that his dad adopted Bond after Bond's parent were killed, and that he felt pushed out - he refers to Bond as a Cuckoo in the nest . This is far more camper than anything Austin Powers managed.
That aside the film flies past and doesn't feel anything like it's two and a half hours - it is paced perfectly and Craig is excellent. In Skyfall and now this, Daniel Craig has given us two Bond's that can stand proudly alongside the classics.
Tuesday, 27 October 2015
Thursday, 15 October 2015
The Writing Life
At the moment I'm juggling two major projects - Dark Valleys, which is a commission from Pen and Sword Books and concerns historical murders that took place in and around the South Wales Valleys. The second is a novel, not a commission, something I'm writing on spec. The novel is entitled Down Among The Dead and is an attempt to bring back my character, Chief Inspector Frank Parade of the Glamorgan Constabulary. I first used Parade in the earlier novel, A Policeman's Lot which was published in paperback by Solistice Publishing before transferring over to Kindle with a new title, The Welsh Ripper Killings.
A Policeman's Lot was a kind of high concept crime novel, and relied on historical fact namely Buffalo Bill's Wild West Circus, Jack the Ripper and a coal miner uprising. The novel was set in 1907 and featured the character of Inspector Frank Parade.
I like Parade, like him a lot but struggled to find another story for him. The problem was that Parade was used as the main voice in the Ripper based story but he didn't really fit into that timeline. He was great for the plot but not so much the era.
Now I decided that my next crime novel, Down Among the Dead needed to be set in a different timeline - that of World War II period South Wales. This meant I couldn't use the character of Parade, I would need to create a new policeman. But I found I couldn't do that - I needed Parade and so I pushed A Policeman's Lot aside, decided to look upon it as a standalone novel and rebooted Parade, transporting him to a different time. In short I recreated Chief Inspector Frank Parade and placed the cranky old copper in the same environment but several decades later.
Below is a small extract from the work in progress.
The above is the opening to the novel in a rough draft form and I'm anticipating completion of the first draft sometime around Christmas - then it will be set aside while I concentrate solely on Dark Valleys. The finished manuscript has to be with the publishers by the end of January 2016 for publication sometime that year. There will be a lot of proofreading, editing and general pulling out of hair before the finished project arrives in stores gleaming and giving off that delicious aroma of brand new bookieness. And of course add to that workload another commission, Cardiff at War 1939 - 1945, again for Pen and Sword Books, and I guess you could say I have a heavy workload.
Hey, that's the way I like it. It took me too long to become a professional writer to complain about the work...now all I have to wait for is to become a successful writer and then I can give up this pesky day job of mine which takes up far too much of my time...time that could be better spent tapping the keys.
A Policeman's Lot was a kind of high concept crime novel, and relied on historical fact namely Buffalo Bill's Wild West Circus, Jack the Ripper and a coal miner uprising. The novel was set in 1907 and featured the character of Inspector Frank Parade.
I like Parade, like him a lot but struggled to find another story for him. The problem was that Parade was used as the main voice in the Ripper based story but he didn't really fit into that timeline. He was great for the plot but not so much the era.
Now I decided that my next crime novel, Down Among the Dead needed to be set in a different timeline - that of World War II period South Wales. This meant I couldn't use the character of Parade, I would need to create a new policeman. But I found I couldn't do that - I needed Parade and so I pushed A Policeman's Lot aside, decided to look upon it as a standalone novel and rebooted Parade, transporting him to a different time. In short I recreated Chief Inspector Frank Parade and placed the cranky old copper in the same environment but several decades later.
Below is a small extract from the work in progress.
July 1940
The night it all began, a fog had
descended over the hills and shrouded the entire valleys beneath an opaque
blanket. Dan Evans cursed as he climbed the fence, careful not to catch his
crotch on the barbed wire, and made his way across the field that was little
more than a bog. Usually the ground would be soft, swallowing up feet, and
stubbornly refusing to let go, but at the moment, several weeks into what was
shaping up to be a long hot summer, the ground was dry and hard. Not that it
was any easier to negotiate. The uneven ground was uncomfortable beneath Dan’s
feet, and several times he stumbled, having to throw his hands forward as he
fell into the thick grass and reeds that could poke an eye out.
‘Bloody
sheep,’ he muttered, and lifted his legs out of yet another hole. ‘Bloody sheep
and bloody fog.’
Dan
gazed into the darkness – moments ago it had been a clear moonlit night, but
this fog had come from nowhere. It rebounded the moonlight back at him, and
gave everything a bluish tinge. One moment he was peering into a murky soup and
the next he was shielding his eyes as if caught in the glare of the sun.
He
had to get his bearings.
No
point in wandering about with visibility being so poor.
It would be easy
for a person to get lost, even someone who knew the mountains as well as Dan.
And he knew them well, very well, he had walked them for more than thirty years
as both man and boy, but all the same on a night like this he might as well
have been in some foreign land. Nothing was the same in the fog. The landscape
itself seemed to mutate as dangers were created, where previously there had
been none.
He reached the
far end of the field, scaled yet another fence, and then sat down on the ground
to figure out just where he was going. He couldn’t see more than a few feet in
front of him and there seemed to be nothing but a wall of fog ahead. He did, of
course have a rough idea of where he was, but he couldn’t figure out in which
direction to go.
He was
completely disorientated. All this wandering about and he wasn’t at all sure in
which direction he’d crossed the field. Indeed, for all he knew he could have
gone full circle, and ended up back where he’d started. He fallen several times
and maybe he’d gotten back up, and then wandered off the way he had come. No,
he didn’t think that was the case. He’d gone west, he was sure of that, which
meant he should be above the old barn. It should be ahead of him, down the
banking and across the stream, and he guessed he’d shelter there.
‘Bloody sheep,’
he mumbled, again cursing the wayward animals.
They, those
stupid bloody beasts, were the reason he’d been up the mountain so late at
night, several of the dumb animals had wandered away from the flock, gone
through a break in the fence. They were always doing that which was a problem;
since there were several disused mine shafts and pot holes that they could fall
into. He couldn’t afford to lose any more animals like that, and so, after
repairing the fence, he’d gone off to search.
The fog had come
suddenly, without warning, and before he knew it he had only a vague idea of
where he was.
Dan sat there on
the ground for several minutes while he smoked a cigarette. He knew he was
breaking the strict blackout laws by smoking, but he didn’t figure there’d be
any wardens roaming about the mountain to challenge him and he doubted Jerry
planes would be passing overhead in this weather. His makings were damp and he
had to struggle to keep the smoke going. It tasted good as he drew the smoke
into his lungs, the nicotine serving to calm his frayed nerves.
Come on Danny
boy, he chided himself. You’re acting like an old woman. Anyone would
swear you’d never been up a mountain at night before; next thing you’ll be
jumping from the bogeyman.
But it was more than
that, the dark he could cope with, but this sodding fog was something else
entirely. It was darker than dark and had closed in so thickly that he felt
claustrophobic, and feared that if the fog became any denser he’d be unable to
breath. It would smother him, seep into his lungs where it would set with the
consistency of treacle.
He took his time
with the cigarette, and only when it was too small to hold without burning his
fingers did he toss it aside. He stood, holding the fence to steady himself while
he peered into the fog. Still, he was unable to see more than a foot or so
ahead.
Cautiously he
walked forward into the fog.
With each step he carefully felt the ground ahead of him, any moment
expecting a slope as he neared the banking that he was sure would be there, but
the ground beneath him remained level and eventually he reached yet another
fence which left him completely confused him as to where he was.
He willed
himself to stay calm, knowing there was no need to panic, that it would serve
no purpose and he could very well cause him an injury if he lost control of his
nerves. He was quite safe but all the same the fog was oppressive and seemed to
be closing in ever tighter.
Carefully he
climbed the fence and then dropped down the other side. He looked around, again
trying to pick out a landmark, anything that would give him some idea of where
he was, but there was nothing to be seen other than the murky shroud the fog
had thrown over everything. At times the fog seemed to clear slightly and you could
see through it but everything was out of focus, and didn’t help Dan at all in
pinpointing his location.
‘Bloody sheep,’
he muttered and started walking forward, figuring that if he kept moving he
would soon realise where he was. He listened to the night, trying to pick out
any sounds. He could hear the drone of one of the collieries in the distance,
but wasn’t sure which ones. There were several possibilities depending on
exactly where he was on Myndd Y Gaer.
He started
across the field and had gone maybe fifty yards when he was able to make out a
landmark just ahead of him. It was unmistakably the ruins of Llanbad Church
– the four walls jutted out of the ground like cavity filled teeth and Dan
smiled. He had gone some way further than he had expected but all the same he
was glad to come upon the old building. Although the church was in ruins, all
that remained were the four walls, and exposed to the elements, he would be
able to find some limited shelter. If he crouched down behind one of the walls
he would be cosy enough until the fog cleared.
Dan climbed the
banking and entered the church grounds, stepping over ancient gravestones. The
old church dated back to Norman times but it was just shy of a century ago in
1844 that it had last been used for worship. It had originally rested in the
ancient parish of Coychurch but as villages had sprung up around the
surrounding areas, with their own churches and chapels, and boundaries were
redrawn, it had become even more remote and far less important. Over the years
it had fallen victim of the elements, a particularly ferocious storm in 1850
had taken the roof and in the years that followed much of the stone used in its
construction had been carried off by farmers to be used in building walls of
their own. Even the ancient gravestones that stood in its grounds had suffered
vandals and now many of then lay on the ground, their inscriptions too
weathered to read.
Dan reached the
church and went through the entrance where the heavy doors had once stood.
There was no roof above his head but he felt better with four walls around him
and he sat down, his back against a wall while he fished in his pockets for his
matches.
He struck one on
a stone and immediately recoiled in horror at the sight the sudden illumination
revealed to him. For there upon the ground was a most grisly sight – it was the
body of a man, his face pulped to a mush. That in itself was bad enough, but
the thing that brought Dan to a gibbering wreck were the maggots that could be
clearly seen, almost luminous in the light thrown by the match, as they
burrowed through the corrupted flesh.
Dan screamed.
The above is the opening to the novel in a rough draft form and I'm anticipating completion of the first draft sometime around Christmas - then it will be set aside while I concentrate solely on Dark Valleys. The finished manuscript has to be with the publishers by the end of January 2016 for publication sometime that year. There will be a lot of proofreading, editing and general pulling out of hair before the finished project arrives in stores gleaming and giving off that delicious aroma of brand new bookieness. And of course add to that workload another commission, Cardiff at War 1939 - 1945, again for Pen and Sword Books, and I guess you could say I have a heavy workload.
Hey, that's the way I like it. It took me too long to become a professional writer to complain about the work...now all I have to wait for is to become a successful writer and then I can give up this pesky day job of mine which takes up far too much of my time...time that could be better spent tapping the keys.
Wednesday, 14 October 2015
Riding the Vengeance Trail
“Revenge, the sweetest morsel to
the mouth that ever was cooked in hell.”
Sir Walter Scott, The Heart of
Mid-Lothian
‘Gutless is what you are,’ Jim
Tanner yelled and crossed the room, peered through the slats at the window and
then turned back to his son. He shook his head and ran a hand over the stubble
on his chin. ‘You craven bastard.’
Ethan
glared back at his father, holding the older man’s eyes with his gaze. ‘I ain’t
no coward,’ he said. ‘Just not a damn fool is all. If I go out there Fury’ll
shoot me down. I’ll have no chance. That ain’t cowardly that’s just good
sense.’
‘Pity
you didn’t show that good sense when you started all this,’ Jim said and bit
the end off a large cigar. He spat tobacco onto the floor, earning himself a
look of reproach from his wife who sat in the far corner, a worried expression
permanently plastered across her once beautiful face. She could tolerate her
husband’s cussing but his vile habit of spitting was best done out of doors.
Tuesday, 13 October 2015
The Walking Dead returns for a sixth outing.
Although the season six opener of AMC's Walking Dead was one of the best episodes in a long while, it was the first time a season opener had failed to grow the rating. Although the episode was still a monster hit - According to “live plus same-day” estimates from Nielsen, the zombie
drama averaged a monster 7.43 rating in adults 18-49 and 14.6 million
viewers overall — up slightly over the show’s season 5 averages but
below its fall 2014 premiere (8.65 in 18-49, 17.29 million total
viewers). That year-ago opener remains the show’s highest-rated telecast
on record.
The main thrust of the plot was the horde of walkers in an old quarry that Rick decided must be drawn out and cleared else they get too close to the relative safety of the walled town in which our survivors now find themselves. The episode was over an hour long with the present-day narrative framed with black and white flashbacks to the days immediately following the season five finale. This, in my opinion, was an effective way to tell what was an action packed story.
We're six season in now and the show is as strong as ever, with the spin off series, Fear the Walking Dead (just finished its first season) also piling up the ratings. So it seems a certain thing that the series will go to seven series...likely, even more.
The reviews of the season opener have been mostly positive - The Walking Dead is the most popular series on television – when it works, it’s magnetic. You hear that unidentified horn blaring in the distance in the premiere’s final moments, drawing thousands of hungry walkers back towards “home,” and you feel the same sense of dread as the characters — that’s a powerful thing six seasons into a show’s lifespan, said Variety. While Forbes said, Rick is teetering very close to full villain at this point. I think it’d be more interesting if he went all the way and had to be stopped. The Twitterverse has also gone bananas with appreciation for the show - 'Fuck that was awesome!' wrote, Stantheman345. Though there were some who were not happy and JWWDIV Tweeted, 'The season 6 premier was not worth the wait. This is by far the worst episode yet. I was bored to tears. Perhaps The Walking Dead has run out of ideas. If this is the best they have now, I will soon stop being fan.'
The Black and White sections also split opinion - Black & white. Feels like I'm reading #TheWalkingDead comic book. Tweeted Dalton Ross but another fan, Ellie Enison immediately responded, I'm really digging this black & white #TheWalkingDead. Another fan Tweeted, Thinking back to it all now, having #TheWalkingDead #FirstTimeAgain shot partially in Black & White: Genius. :)
I'll leave you with Screen Rant's opinion of the season opener - What works about the premiere, then, is how its narrative goals are successfully blended with the presentation of spectacle and the actual needs of the characters within the story. Granted it takes 90-minutes to accomplish this, but to its credit, it manages to do so without getting them confused or muddying up the visual metaphor at the heart of it all. Going this big, shoving this many walkers into one episode, could have felt like superficial overkill, but The Walking Dead made it more than just a visually entertaining endeavor. Added to the complication of the horns sounding in Alexandria at the end, the premiere also managed to make its plentiful walkers feel like a legitimate threat again.
The main thrust of the plot was the horde of walkers in an old quarry that Rick decided must be drawn out and cleared else they get too close to the relative safety of the walled town in which our survivors now find themselves. The episode was over an hour long with the present-day narrative framed with black and white flashbacks to the days immediately following the season five finale. This, in my opinion, was an effective way to tell what was an action packed story.
We're six season in now and the show is as strong as ever, with the spin off series, Fear the Walking Dead (just finished its first season) also piling up the ratings. So it seems a certain thing that the series will go to seven series...likely, even more.
The reviews of the season opener have been mostly positive - The Walking Dead is the most popular series on television – when it works, it’s magnetic. You hear that unidentified horn blaring in the distance in the premiere’s final moments, drawing thousands of hungry walkers back towards “home,” and you feel the same sense of dread as the characters — that’s a powerful thing six seasons into a show’s lifespan, said Variety. While Forbes said, Rick is teetering very close to full villain at this point. I think it’d be more interesting if he went all the way and had to be stopped. The Twitterverse has also gone bananas with appreciation for the show - 'Fuck that was awesome!' wrote, Stantheman345. Though there were some who were not happy and JWWDIV Tweeted, 'The season 6 premier was not worth the wait. This is by far the worst episode yet. I was bored to tears. Perhaps The Walking Dead has run out of ideas. If this is the best they have now, I will soon stop being fan.'
The Black and White sections also split opinion - Black & white. Feels like I'm reading #TheWalkingDead comic book. Tweeted Dalton Ross but another fan, Ellie Enison immediately responded, I'm really digging this black & white #TheWalkingDead. Another fan Tweeted, Thinking back to it all now, having #TheWalkingDead #FirstTimeAgain shot partially in Black & White: Genius. :)
I'll leave you with Screen Rant's opinion of the season opener - What works about the premiere, then, is how its narrative goals are successfully blended with the presentation of spectacle and the actual needs of the characters within the story. Granted it takes 90-minutes to accomplish this, but to its credit, it manages to do so without getting them confused or muddying up the visual metaphor at the heart of it all. Going this big, shoving this many walkers into one episode, could have felt like superficial overkill, but The Walking Dead made it more than just a visually entertaining endeavor. Added to the complication of the horns sounding in Alexandria at the end, the premiere also managed to make its plentiful walkers feel like a legitimate threat again.
Tainted Stats
Weekly Stats Report: 5 Oct - 11 Oct 2015
Project: THE TAINTED ARCHIVE
URL: http://tainted-archive.blogspot.com/
Summary
Project: THE TAINTED ARCHIVE
URL: http://tainted-archive.blogspot.com/
Summary
Mon | Tues | Wed | Thur | Fri | Sat | Sun | Total | Avg | |
Pageloads | 112 | 120 | 124 | 168 | 108 | 108 | 127 | 867 | 124 |
Unique Visits | 94 | 110 | 115 | 159 | 104 | 102 | 110 | 794 | 113 |
First Time Visits | 91 | 110 | 114 | 153 | 101 | 99 | 108 | 776 | 111 |
Returning Visits | 3 | 0 | 1 | 6 | 3 | 3 | 2 | 18 | 3 |
Friday, 9 October 2015
Daniel Craig once again claims he is done with James Bond
“I’d rather break this glass and slash my wrists,” So said Daniel Craig when asked if he would do another Bond movie which seems to indicate that despite reports that Craig has signed for two more Bond movies, the actor is done with the character.
When pushed on the subject by Time Magazine Craig said; “I haven’t given it any thought. For at least a year or two, I just don’t want to think about it. I don’t know what the next step is. I’ve no idea. Not because I’m trying to be cagey. Who the f**k knows? At the moment, we’ve done it. I’m not in discussion with anybody about anything. If I did another Bond movie, it would only be for the money.”
MGM and Sony Pictures launch Spectre in the UK on October 26
before its domestic bow the following week. MGM, which holds the rights
along with producer Barbara Broccoli’s EON Productions, declined to
comment as did Sony. Craig is still, officially at least, contracted to
do one more Bond film. Speculation has been rife for some time now that
Craig, who turned 47 early this year, was looking to put away his
Walther PPK and smoking jacket.
So will favorite Damien Lewis now don the tux for the next Bond move? When asked who should replace him in the role, Craig gave a typically salty reply - “I don’t give a f**k. Good luck to them! All I care about is that if I stop doing these things we’ve left it in a good place and people pick it up and make it better. Make it better, that’s all.”
When pushed on the subject by Time Magazine Craig said; “I haven’t given it any thought. For at least a year or two, I just don’t want to think about it. I don’t know what the next step is. I’ve no idea. Not because I’m trying to be cagey. Who the f**k knows? At the moment, we’ve done it. I’m not in discussion with anybody about anything. If I did another Bond movie, it would only be for the money.”
Ginger Bond could be next |
So will favorite Damien Lewis now don the tux for the next Bond move? When asked who should replace him in the role, Craig gave a typically salty reply - “I don’t give a f**k. Good luck to them! All I care about is that if I stop doing these things we’ve left it in a good place and people pick it up and make it better. Make it better, that’s all.”
Thursday, 8 October 2015
James Bond: The Man with the Undescended Testicles
'I have by now, got rather fond of James Bond. I like most things about him, with the exception of his deplorable taste in firearms. I dislike a man who comes into contact with all sorts of formidable people using a .25 Beretta. This is really a lady's gun, and not a rather nice lady at that.' Geoffrey Boothroyd, a Scottish firearms expert wrote to Ian Fleming to which the author replied, 'As a matter of fact, a change of Bond's weapon is very appropriate. In his next adventure, which deals with an intricate plot by SMERSH to kill Bond, he finally get's into bad trouble when hhis Berretta sticks in his waistband.'
These letters, among many others are featured in the new book The Man With The Golden Typewriter which is published OCT 8TH 2015. These letters make for entertaining reading and the correspondence between Boothroyd and Fleming is particularly interesting. The pair became such good friends that Fleming named a character Major Boothroyd.
Boothroyd even once lent Fleming a gun for a cover illustration.
'I have just had a visit from the local CID who wanted to know where my .38 pistol was. This interest is due to a very misguded character who slew two women and a girl on the outkirts of Glasgow on Sunday night. I told the officers that the gun was in your possession. It is possible they may ask if you have a firearms' certificate. Anyone now having such a certificate is liable to three months in clink.' An obviously worried Boothroyd wrote to Fleming. The author promptly replied: 'I have a valid certificate, No 109950 and an alibi for Sunday night.'
Another reader, William Plomer, wrote to Fleming after the publication of Goldfinger - ' I have just finished Goldfinger. I think it is well up there with your best. But I don't much like the circular saw business. Anatomically I am a little worried. Whizz goes a fly button. But didn't other objects get in the way first? Or does Bond have undescended testicles?'
The book is out now and well worth a browse - some of the letters are absolutely hilarious.
These letters, among many others are featured in the new book The Man With The Golden Typewriter which is published OCT 8TH 2015. These letters make for entertaining reading and the correspondence between Boothroyd and Fleming is particularly interesting. The pair became such good friends that Fleming named a character Major Boothroyd.
Boothroyd even once lent Fleming a gun for a cover illustration.
'I have just had a visit from the local CID who wanted to know where my .38 pistol was. This interest is due to a very misguded character who slew two women and a girl on the outkirts of Glasgow on Sunday night. I told the officers that the gun was in your possession. It is possible they may ask if you have a firearms' certificate. Anyone now having such a certificate is liable to three months in clink.' An obviously worried Boothroyd wrote to Fleming. The author promptly replied: 'I have a valid certificate, No 109950 and an alibi for Sunday night.'
Another reader, William Plomer, wrote to Fleming after the publication of Goldfinger - ' I have just finished Goldfinger. I think it is well up there with your best. But I don't much like the circular saw business. Anatomically I am a little worried. Whizz goes a fly button. But didn't other objects get in the way first? Or does Bond have undescended testicles?'
The book is out now and well worth a browse - some of the letters are absolutely hilarious.
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