Horror tends to thrive during times of crisis, offering
catharsis, escapism and a metaphoric means of coping with problems that
seem unsolvable.
Historically this has always been the case. It certainly was true
during the Great Depression, when Universal Pictures was rescued from
bankruptcy by its golden age of horror film – Dracula, Frankenstein ,
The Invisible Man , the Creature from the Black Lagoon and all the
other creepy creatures that lit up the silver screen, offering escapism
to cash strapped moviegoers. Right across the spectrum of modern media
horror is booming – take the two biggest successes in popular literature
over recent years – Harry Potter and Twilight and whilst neither are
strictly horror they both use many of the conventions of the genre. TV
shows like The Walking Dead and American Horror are massively popular,
and of course HBO’s True Blood is still holding its own. The horror
novel is most certainly on a high. There are some great writers out
there from the well know masters such as Stephen King, Clive Barker,
Jack Ketchum and others to relatively new names like Christopher Ransom,
Joe Hill, Max Brook and (dare, I say it) Vincent Stark. The
latter of course is wishful thinking since his debut horror novel,
following a string of bestselling westerns, isn’t due out till the end
of the month and he is me
So why is it that during shitty times we turn to the dark side? Maybe
it’s the increasingly polarized political landscape, generating so much
us against them rhetoric. Perhaps it has something to do with all the
college students’ fears of being unable to find work or middle-aged
parents’ worries about keeping their homes.
Then again maybe its
something to do with the fact that we, in Britain at least, have the
Dark Party in government.
Or maybe it’s just the fact that we, viewers,readers, like the safe
scares that films and books provide. And whilst it is true that
thought-provoking horror works are few and far between recent years have
seen several horror novels of real depth – Låt den rätte komma by John Ajvude Lindqvist , known by its Anglo title of Let the Right One In (I’ve not enjoyed a novel as much as this is years)is
a masterpiece of literature whatever the genre, and Christopher Ransom
has taken age old themes and twisted them through modern sensibilities.
Both of these writers need to be read by anyone interested in the horror
genre. And it’s the same with film and TV and for every predictable
slasher of the week flick you will find films and programs of true
worth. Horror as a genre is changing, mutating and it is at last gaining
some of the acclaim that has been denied it through snobbery for far
too long. Stephen King is no longer considered a hack writer and real
critics are dissecting his work and finding relevance to the society we
live in – something all great writing mirrors. And this is a good
thing because for too long horror has been consigned to the ghetto and
looked down upon with disdain and yet TV shows like American Horror
Story, Being Human, The Walking Dead and True Blood are popular with
mainstream audiences, horror novels are read by millions and fright
films are always popular.
Yep this truly is a golden age for horror – and ain’t that just fine and dandy!
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