I asked Tony about his novels The Rifleman and Jake Rains.
‘Jake Rains’ is my
first book to be published in hardback. Hale Books (aka Black Horse Westerns)
were kind enough to let one of their cover artists have a try with the pen
instead of the paintbrush and miraculously it was accepted and they let me do
the cover art for my book as well.
Having painted Western book
covers for four decades, it seemed about time to put something between the
covers instead of on them. Over the years its meant a lot of visual research
whilst doing the Edge and Steele series amongst others and that of course led
to an interest in the era and also, like so many of my generation, as a
youngster I was raised on a diet of both Western movies and comics.
I guess in a way I like to push the limits as it were, so
although ‘Jake Rains’ is a story about a cowhand and a crook, there are some
differences with the traditional take.
Jake is a Mauser pistol touting Rough Rider just back
from Teddy Roosevelt’s campaign in Cuba where he swore to his dying friend he’d
take care of his widow. Soon he runs foul of the local cattle baron who’s
courting the widow. After that, it’s crazed Mountain Men, a racing Winton
Phaeton and a preaching killer who are all met on Jake’s way to a bloody shoot
out on Main Street.
The second book, out now as an e-book by Solstice
Publishing but soon to be in hardback is ‘The Riflemen’ is a tale about
two ex-Civil War sharpshooters who were master and slave before the war and end
up as friends and partners after it. They are commissioned to take out a
wealthy renegade who is raising a new Confederate Army south of the Border.
Tracked by a trio of killers they make their way through Indian territory,
meeting all kinds of woes along the way until finally tracking down the
renegade at his base in an old Aztec ziggurat. It doesn’t end there and before
it does the duo’s pair of Sharp’s long rifles came in for plenty of use.
I’ve always written, well certainly as a young man in the sixties
but more in a private way. There was something initially attractive about
describing the pictures that came into my mind using the written word alongside
the visual interpretation. If you’re born with an imagination I guess it’s a
natural progression. The skill in actual production comes later, be it using
either a brush or a pen. A big help with technique on ‘The Riflemen’ was my
editor at Solstice, Nik Morton who also writes his own Western novels under the
name Ross Morton. Nik recently asked me to do the cover art for his latest
Black Horse book ‘Old Guns’ and Hale have agreed to the commission. It’s a
double honour for me as Nik is an illustrator in his own right, so praise
indeed.
At the moment my third Western
novel ‘The Hunted’ has been accepted by Solstice and is going through
the production process. Once again I get to do the cover art, which is great
for me as it kind of completes the circle. You can view the original artwork on
my website at: www.artnillustration.com
The story is about a wealthy cattle baron with a past, who receives an invite
to visit with one of his old comrades. The sickly comrade leads him on a path
that takes in tracking down three other friends from the old days and leads him
back to a brutal Civil War atrocity, a vengeful prisoner in Yuma prison and a
fortune in Confederate gold. Somewhere along the line though a hidden killer is
trailing him and the story isn’t over until the assassin is revealed.
2 comments:
Nice to see you here again, Tony. The paperback of The Riflemen won't be long in coming out, I'm sure - and it's highly recommended, folks!
Nik Morton
Great to learn more about you, Tony. Thanks for presenting this info and interview!
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